House of Eternal Return is supposed to feel “lived in,” so seeing a well-worn couch in a cozy tree nook is a simple reminder that things don’t have to be perfect or brand new to be appreciated. They wanted somewhere to experiment with their creativity and play around in. Meow Wolf was started because this particular group of artists didn’t want to fit into the fine arts world that had already been established in Santa Fe, so they found their own place and made their own rules, where no one had to question if they belong or not. Sarah Bradley and her Lowelies, Photo by Kate Russell Building the House of Eternal Return, Photo by Kate Russell “It doesn’t look like it was made in a factory, and from the very moment the door opens to the exhibit, there’s an all-consuming feeling of being transported into something completely different, magical and important.” - Shanny Schmidt, Santa Fe Social & Community Manager
Installing the Meow Wolf sign, Photo by Lindsey Kennedy
Martin, to buy the bowling alley that became the very first Meow Wolf location. They worked with what they had and managed to get financial backing from Game of Thrones creator, George R. Building the Forest Floor, Photo by Kate Russell Portals Bermuda Under Construction, Photo by Kate Russell Building the House of Eternal Return, Photo by Kate Russell House of Eternal Return under construction, Photo by Lindsey Kennedy Building the House of Eternal Return, Photo by Kate Russell
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They learned how to solve problems as they came up and didn’t let imperfections hold up the process of sharing their creations. The artists who worked on the House of Eternal Return didn’t have a lot of money or experience with such a massive project. This was the approach for creating the exhibition and the same can be said for exploring the hidden passageways and tunnels that lead to more magical rooms. There’s no map, no pressure, just curiosity and imagination driving the path forward through a nexus of colorful, chaotic creations.
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It’s full of such special important moments that only exist because we were still a small company and not ‘Meow Wolf The CorporationTM’.”- Anna Isenberg, Visitor Services Coordinator Installing Joyce the Mastodon, Photo by Kate Russell “The House is so special, it’s got a scrappy-ness to it that makes it feel unlike any of the other locations in the best way possible. The familiarity of the ordinary rooms and objects encourage visitors to be curious about investigating the mystery of the missing Selig family who walked on the same floors and opened the same dryer. It feels like stopping by to say hi to a neighbor who doesn’t mind if you grab a drink from the fridge. Walking up to the house doesn’t feel otherworldly, like a very modern multiversal transit station or light projections on a 36-foot canyon behind an alternate reality grocery store. Exterior View of House of Eternal Return, Photo by Kate Russell House of Eternal Return is a scene straight out of science fiction: an old Victorian house inhabited by a family that has been swept into another dimension through a spiraling void, inside a former bowling alley. The Due Return (2011), Photo by Kate Russell The temporary exhibits, like The Due Return at Center for Contemporary Arts Santa Fe, grew to be so popular that a larger, permanent location became inevitable. They made art for people like themselves, who didn’t fit in the fine arts world and didn’t want to experience art in a gallery or museum. The group consisted of artists from various backgrounds with different talents like design, acting, engineering, writing, painting and sculpting. The first chapter in the Meow Wolf story started in 2008 with a collective of creatives brought together by the universe to shake up the traditional art scene of Santa Fe, New Mexico. House of Eternal Return: The Original Meow Wolf By Jordan Rumsey Photos by Kate Russell, Lindsey Kennedy & Kennedy Cottrell
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